
Lomography
Est. 1992
Lomography
Lomography (Lomographische AG) is an Austrian photography organization that began as an artistic movement and evolved into a manufacturer of analogue cameras, films, and "Art Lenses." While best known for plastic toy cameras like the Diana and Holga, Lomography’s contribution to the Leica M-mount ecosystem is surprisingly sophisticated. They produce a dedicated line of premium glass optics designed to bring the "imperfect" aesthetic of the 19th and mid-20th centuries to modern rangefinders.
For M-mount users, Lomography offers a unique proposition: distinct optical character (vignetting, swirls, and soft focus) housed in high-quality brass or aluminum bodies that are fully rangefinder coupled. Their partnership with Zenit (KMZ) in Russia has also led to the resurrection of legendary Soviet lenses in improved, M-compatible forms.
History
Lomography's journey began with a single Russian camera.
The LC-A Discovery (1991 to 1992)
In 1991, a group of Viennese students discovered the Lomo LC-A, a compact Russian camera manufactured by LOMO PLC in St. Petersburg. Fascinated by its vibrant colors, deep saturation, and heavy vignetting, they founded the Lomographic Society International in Vienna in 1992. They established the "Ten Golden Rules of Lomography" (e.g., "Don’t think," "Shoot from the hip"), promoting a spontaneous, anti-clinical approach to photography [[4]].
The Art Lens Revolution (2013 to Present)
Recognizing that many photographers wanted "Lomo" character on their high-end cameras, the company launched the Lomography Art Lens program. Utilizing Kickstarter to gauge demand, they began remanufacturing historic optical formulas (like the Petzval and Daguerreotype Achromat) using modern glass and coatings. Crucially, they developed native M-mount versions for several of these lenses, filling a niche for creative effects that Leica’s technically perfect ASPH lenses could not provide [[1]].
Product Lines (M-Mount & LTM)
Lomography’s M-mount offerings are distinct from their plastic cameras. They are typically built from brass or aluminum and use multi-coated glass.
The LC-A Legacy
- Minitar-1 32mm f/2.8: This is the original lens from the Lomo LC-A camera, re-housed in a native M-mount pancake body.
- Design: An ultra-compact wafer lens that makes an M body pocketable.
- Character: It delivers the signature high contrast, saturated colors, and heavy vignetting of the LC-A.
- Coupling: Despite being a zone-focus lens (using a tab with 0.8m, 1.5m, 3m, infinity detents), it is rangefinder coupled, allowing for precise focus on M bodies [[1]].
The Russian Revival (Zenit Partnership)
- Jupiter-3+ 50mm f/1.5: A reissue of the classic Soviet Jupiter-3 (itself a copy of the Zeiss Sonnar).
- Manufacture: Produced by Zenit in Russia specifically for Lomography.
- Improvements: While maintaining the original optical scheme, the "+" version features a modified housing for closer focusing (0.7m) and durable modern coatings to reduce the excessive flaring of the original.
- Mount: Native L39/LTM, but it includes a high-quality M-adapter in the box [[2]].
The Ultra-Wide
- Atoll 17mm f/2.8: A modern ultra-wide Art Lens designed for full-frame rangefinders.
- View: Offers a massive 103° field of view with rectilinear correction (minimal distortion).
- Usage: Rangefinder coupled and features a depth-of-field scale optimized for hyperfocal street photography [[1]].
Technical Specifications
| Feature | Specification Details |
|---|---|
| Native Mount | Leica M-Bayonet (Minitar-1, Atoll) or LTM/M39 (Jupiter-3+) |
| Focus Coupling | Coupled: Minitar-1, Jupiter-3+, Atoll 17mm. Uncoupled: Some experimental adapters/lenses. |
| Build Materials | Brass (Jupiter-3+), Anodized Aluminum (Minitar-1, Atoll) |
| Aperture Control | Minitar-1: Tab-controlled aperture. Jupiter-3+: Stepless aperture ring (great for video, tricky for stills). |
| Filter Thread | 22.5mm (Minitar-1), 40.5mm (Jupiter-3+) |
| Coating | Multi-coated (Modern standard, significantly better than vintage Soviet glass) |
Why Photographers Choose Lomography
- The "Anti-Leica" Look: While Leica chases optical perfection (high MTF charts, zero aberration), Lomography lenses are engineered to include specific "flaws" like vignetting and field curvature as artistic tools.
- Pocketability: The Minitar-1 32mm is one of the smallest lenses available for the M-mount. It turns a Leica M or Minolta CLE into a high-end point-and-shoot.
- Reliable Vintage Character: The Jupiter-3+ allows photographers to shoot with the classic Sonnar look without the "Russian Roulette" risk of buying vintage Soviet lenses that might have dried grease or decentralized elements [[2]].
Sources
- [1] Lomography Shop (Minitar & Art Lenses): https://shop.lomography.com/lomo-lc-a-minitar-1-art-lens-2-8-32-m-mirrorless-camera-adapter-with-close-up-function
- [2] 35mmc (Jupiter-3+ Review): https://www.35mmc.com/15/05/2016/lomography-50mm-new-jupiter-3-review/
- [3] PCMag (Petzval Analysis): https://www.pcmag.com/reviews/lomography-new-petzval-55mm-f17-mkii
- [4] Lomography (History & Manifesto): https://www.lomography.com/magazine/47684-chapter-3-the-lomography-manifesto
Lenses (4)
| Make | Model | Focal Length | Aperture | Release year | Diameter (mm) | Length (mm) | Weight (g) | Min focus distance | Elements | Groups | Filter diameter (mm) | Mount | Model number(s) | Actions |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Lomography | Atoll Ultra-Wide 17mm f/2.8 | 17 | 2.8 | 1970 | 78 | 73 | 481 g | 0.17 m | 13 | 10 | 67 | M | — | |
| Lomography | LC-A Minitar-1 f/2.8 32mm Art Lens | 32 | 2.8 | 2015 | 44 | 51 | 55 g | 0.8 m | 5 | 4 | 22 | M | — | |
| Lomography | Jupiter 3+ 50mm f/1.5 Art | 50 | 1.5 | 2016 | 48 | 56 | 200 g | 0.7 m | 7 | 3 | 41 | LSM | — | |
| Lomography | x Zenit Mercury 35mm f/2 | 35 | 2 | 2016 | 56 | 35 | 202 g | 0.45 m | 7 | 4 | 46 | LTM | — |